Il mulino, 1928 Today, 104 years from birth, to dedicate an entire page to Peter Bugiani, one of the most original and important artists of the twentieth century Tuscany, and beyond. Unfortunately, the reproductions of some of his paintings very beautiful, I suggest that visitors to the blog, are of poor quality.
Fu, Bugiani, a true poet of color, which, in a magical season (1924 to 1930 approximately), said "vibrate" as strong inspiration that came from the works of the fourteenth century. Later stays consistently high quality of his painting, characterized by an intense vision of the poetic nature and a strong personal emphasis, which Veno, but significantly, the language character Soft to tell adopted by the Tuscan landscape.
propose here a few lines of Gian Lorenzo Mellini, who presented the work to the exhibition " Modern Art in Italy, 1915-1935 ", Florence, Palazzo Strozzi, 1967. Mellini
writes: Peter
Bugiani begins with a style distinctly archeologizzante (tip of pencil drawings in a veiled tempera, 1924, with evocations of Andrea and Fra Bartolmeo Ca-tin), which clearly identifies by Achille Lega, pink, which shares a taste for the representation of the ru-cultural landscape of Tuscany and its arcane measures, such as the Soft, which had to be taken following the liquid pictorial, e infine dal movimento di «Strapaese» e del «Novecento», colle cui frange ebbe poi a collegarsi. Se­guendo codesta personale sorgiva ricerca, dietro lo stimolo soprattutto let­terario della pittura metafisica, nel senso della scelta del silenzio e della concentrazione, Bugiani dipinge intorno al 1928 una serie di immagini si­lenti di Paese, bloccati in ore antelucane come intagli di pietre dure, di una intensità alta e segreta, quasi montaliana, che lo pongono tra gli esponenti significativi della pittura in Toscana.
Fu, Bugiani, a true poet of color, which, in a magical season (1924 to 1930 approximately), said "vibrate" as strong inspiration that came from the works of the fourteenth century. Later stays consistently high quality of his painting, characterized by an intense vision of the poetic nature and a strong personal emphasis, which Veno, but significantly, the language character Soft to tell adopted by the Tuscan landscape.
propose here a few lines of Gian Lorenzo Mellini, who presented the work to the exhibition " Modern Art in Italy, 1915-1935 ", Florence, Palazzo Strozzi, 1967. Mellini
writes: Peter
Bugiani begins with a style distinctly archeologizzante (tip of pencil drawings in a veiled tempera, 1924, with evocations of Andrea and Fra Bartolmeo Ca-tin), which clearly identifies by Achille Lega, pink, which shares a taste for the representation of the ru-cultural landscape of Tuscany and its arcane measures, such as the Soft, which had to be taken following the liquid pictorial, e infine dal movimento di «Strapaese» e del «Novecento», colle cui frange ebbe poi a collegarsi. Se­guendo codesta personale sorgiva ricerca, dietro lo stimolo soprattutto let­terario della pittura metafisica, nel senso della scelta del silenzio e della concentrazione, Bugiani dipinge intorno al 1928 una serie di immagini si­lenti di Paese, bloccati in ore antelucane come intagli di pietre dure, di una intensità alta e segreta, quasi montaliana, che lo pongono tra gli esponenti significativi della pittura in Toscana.
Natività, 1928
Sera, 1928 
Sunday Afternoon, 1928 
Sera farmyard, 1929
Sunset on the River, 1929
Stepic
Bruno San Martino, July 2, 2009, S. Urban
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